Projects should be fun.

How long has it been since working on a script made you smile?

Let's get it done AND have fun!

Some testimonials

  • This is, by far, the best, most helpful feedback I've gotten yet. Thank you so much for offering specific thoughts and things to consider. I finally feel like I've got some direction on where to go with this.

    Brian Farrey-Latz

  • As well as being a hilariously funny, talented and prolific screenwriter, Amanda's skills as a script editor are second to none.

  • Thank you so much for these notes! They are more detailed and informative than I could have ever imagined them being. I really appreciate it.

    Danny Gibbons

  • Amanda Graham...just gave me more thorough and comprehensive notes on my comedy pilot than the tenured professor I wrote it for. Huge shoutout, because she rocks! A bright light during this weird, grim time.

    Cam Mesinger

  • Thank you so much for all these!! It's so kind of you to give me all these detailed notes! I've paid for notes before now and not got all this info and detail.

    Virginia Frenken

  • Oh my gosh - that is so, SO incredibly helpful! Such a lot of detail and help! Wow! Thank you so much!

    Rick Allden

  • Your notes are INCREDIBLE.

  • This is so valuable. I'm going to dive in and digest every note and go from there. I can't thank you enough for this. I really appreciate it.

    Elga Roberson

  • Wow - I cannot begin to tell you how helpful all of this is and how grateful I am for these notes. Everything you've written makes perfect sense and I can see exactly how focusing on these things will improve the work.

    Jack Caswell

  • I cannot thank you enough for your feedback. It means so much that you would take the time to read my work and provide so much helpful insight. I appreciate it immensely. I will get to work right away with your notes in hand. Your feedback, resources, and encouragement have already given me so much clarity!

    Sarah Zulfiquar

  • You picked up on my fears and my gripes with the story. There's a lot for me to think about now but I'm really excited to revisit the world and characters again. Thank you for wording all these notes in such a constructive and encouraging way.

    Adam Harper

  • THANK YOU so much for all of that incredible feedback. I've read through it a couple of times and now want to read through it while putting together an action plan. That was an incredible amount of amazing feedback and I love the categorising of it all - super for my brain to start to map further. 

    Louise Bromby/Richard David-Caine

  • AMANDA YOU ABSOLUTE DIAMOND! What a read!

  • Thanks so much again for your feedback, because it really helped take the script to another level!

    Catherine Friday

  • Can we please work together always!

  • As a comedy writer, Amanda is my go-to for script feedback and editing.

  • Just wanted to give a shout-out to Amanda for her feefback and great notes on my TV pilot script. It's massively appreciated.

    Kris Taylor

  • Just got some valuable and insightful notes from the wonderful Amanda Graham. She digs deep and doesn't just give topical notes. You can tell she truly wants to help and see you succeed!

    Mason Lewis

  • As a script editor, Amanda knows her craft; where the beats should be, how to add the funny, and when dialogue needs a little tweak to sound believable.

Screenwriting and Script Editing

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    In Development

    I love to write complex characters who rebel against ridiculous power systems. And characters who feel lost and need to figure out who they are.

    My scripts are very high-energy, packed with sensory content, and conversational action lines.

    Whether you love or hate what I write one thing is guaranteed- you won’t forget it.

    How Heather Survived the Apocalypse - 30' original comedy pilot optioned by South of the River. Olivia Colman and Tristram Shapeero attached

    The Old Country - 30' original comedy pilot optioned by South of the River.

    Audacity - 30' original comedy pilot developed with Tristram Shapeero. Carol Kolb attached.

    The Fan - 60' original dramedy pilot developed with Tristram Shapeero. WIP.

    The Undecideds - 30' original comedy pilot with Jadey Duffield and Jo D'Arcy. WIP.

    Shedding - 30' original comedy written for Visionality.

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    Scripted Broadcasts

    The Amelia Gething Complex (Apple TV/BBC) - APed and served as one of the chief writers of all 10 episodes of Series 1. Wrote sketches for series 2.

    Wrote 13 episodes for BBC Children’s flagship comedy programmes Justin’s House and Swashbuckle, scripted reality show Biggleton, animation Treasure Champs, and puppet-led Feeling Better.

    Attended writers rooms for Sesame Street’s The Furchester Hotel, and BBC's Go Jetters, Swashbuckle, Biggleton, and animations Bitz & Bob, Kit & Pup, and Treasure Champs.

    Before the Morning After (NBC/SeeSo) -Wrote off-the-cuff sketch excerpts and performed with A-list comedians including Greg Proops, Alex Edelman and Gina Yashere.

    Wrote five short film scripts for children’s educational YouTuber Jump Start Jonny.

  • A pink circle with a woman's face. She holds her finger to her mouth like she is shushing.

    Ghostwriting

    It's a lot of fun to ghostwrite and punch-up/gloss scripts and content. I can’t talk specifics because of NDAs and agreements, but I can tell you the work includes:

    Writing a film adaptation of a best-selling romantic comedy novel for an American production comedy. It shoots in 2026.

    Writing material for two international touring comedians with streamer specials; one American, one British.

    Glossing scripts privately for writers who don’t have the time or who want a joke punch-up.

    Punching up a British production company's comedy development scripts and decks.

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    Script Editing

    I've script edited and given notes for over 90 short, feature, and TV projects for BBC, Channel 4, the Zero Gravity Group, and individuals including a Saturday Night Live employee, animators, film directors, and comedians.

    Because I am a writer and have worked in production for 16+ years, I understand that being a script editor means helping the writer the create the best script possible.

    You’ll never have to ask for the note behind the note.

    My notes are clean, thorough, detailed, and designed to both reassure the production company/channel that the project will exceed their expectations AND excite the writer about lifting their words to their full potential.